Showing posts with label top 10 films. Show all posts
Showing posts with label top 10 films. Show all posts

Sunday 31 January 2021

What To Watch: Clash Of The Titans (1981)

 


Much of the real cruelty in Clash of the Titans is, like the giant Kraken, concealed from plain sight. It lies behind a veneer made up of fantastical beasts, heroic adventure, and dark magic; visceral stimuli that impress the impressionable. It’s why the film remains such an exciting spectacle for young and old; a truly frightening piece of fantasy on one hand and a camp, cartoonish display of special-effects on the other. [Read full article at Top 10 Films]

What To Watch: The Conspiracy (2012)

Christopher MacBride won’t have had any clue how prescient his 2012 film The Conspiracy would become. It arrived before the presidency of Donald Trump, and the POTUS’s relentless attack on mainstream media, by design diverting attention to fringe political commentators and sociopaths pushing nefarious theories. And it arrived well in advance of a post-COVID-19 world riddled be fear, mistrust and uncertainty. Where conspiracies peddled by Trump acolytes have displaced so-called “fake news” with an insidious credibility fuelled by social media memes.

[Read the full review at Top 10 Films]

Saturday 4 June 2011

Top 10 Low Budget Films of All Time

Jena Ellis looks at the best low budget films of the last few years - click here to see her choices.

"....Juno gets cited as a low-budget movie because it grossed $230 million worldwide on a budget of $6.5 million, but the most expensive film on this list cost less than 5 percent of what it took to make Juno. That’s real low-budget filmmaking. When all is said and done, it’s still possible to make a good movie for a lot less than you might think. These films — with release dates and approximate budgets listed next to the titles — are testament to that..."

Monday 17 January 2011

Interview with Black Swan director Darren Aronofsky

When did you first embark on Black Swan? Where did the idea come from?
My sister was a dancer growing up and she was very into ballet. It wasn’t really anything that I understood. But as I got older, I was thinking about worlds to set films in and I thought ballet could be an interesting world to explore. In addition, I was very interested in Dostoevsky’s ‘The Double’, which is a story about a guy who wakes up and his double is there, and the double starts to replace his life. Then I went to see a production of Swan Lake, which I thought was just a bunch of girls in tutus. I didn’t know what it was. But when I saw that there was a Black Swan and a White Swan, played by one dancer, and it was kind of a Eureka moment, it was like ‘oh wow, a double…’ So then it started to come together… [Read More]

Wednesday 10 November 2010

Monday 25 October 2010

What Hammer did for us...


The son of James Carreras – Enrique – formed a distribution company in partnership with Will Hinds in 1935. The company was called Exclusive Films and during the 1940’s it produced the occasional few films based on radio characters such as Dick Barton. The company was very much a family run affair, and in 1947 its production activities were rationalised and a new company, Hammer films, was set up.

The name came from the stage name of Exclusive’s co-owner Will Hinds, who was known as Will Hammer in the theatre. James Carreras became the managing director; Anthony Hinds (Will Hinds’ son) became a producer, and Michael, another son of James Carreras, became his assistant. The production company came about at a bad time for film in Britain, with the industry falling into recession as films were not making profit. Hammer though, survived, thanks largely to James Carreras’ idea that if a film would not make profit then it should not be made at all. With ruthless cost-cutting and a determination to treat films as commercial products rather than simply expressionist art, Hammer was able to maintain itself. Find out more here

Sunday 3 October 2010

Angelina Jolie has a mighty heart...


Daniel Stephens reviews Michael Winterbottom's intelligent adaptation of Mariane Pearl's book in A Mighty Heart.

Monday 20 September 2010

What is the best Steven Spielberg film ever made?


...this top 10 will answer that very question.

What is your favourite Steven Spielberg film?

10 reasons Jaws might be the best film ever made

Steven Spielberg’s Jaws is one of the most financially successful films ever made. It is also loved by critics as exampled by its 100% Fresh rating on Rottentomatoes.com. Not only that, it is one of the most widely decorated films ever made, collecting three Oscars as well as ranking highly on hundreds of top films lists including being named as one of the top 100 films ever made by Total Film, the 5th best film ever made by Empire, and the 48th best film ever made by the American Film Institute.

Here’s ten reasons why it deserves all the praise it gets.

Saturday 18 September 2010

Controversy surrounds the horror film Poltergeist

Who directed Poltergeist is a question that has been raised many times between fans of the film ever since an article appeared in the L.A. Times in 1982. The article, about a set visit during principle photography, queried whether credited director Tobe Hooper was actually at the helm. On the day of the newspaper’s visit Steven Spielberg was directing some on-location shots and Hooper was nowhere to be seen. [Click here for the full story]

Tuesday 14 September 2010

Spielberg's 1941 - load of crap or underappreciated gem?

In the late Seventies, Steven Spielberg was the working definition of the term boy-wonder. He already had two films under his belt that could be argued as the most important films ever: one made you never want to go into the ocean again and the other made you keep your eyes on the night skies.

So there he was pondering his next step as a film-maker; what would his next film be about?

Interesting story: while making Close Encounters of the Third Kind, fellow director Francois Truffaut spoke with him about how well Spielberg worked with kids, commenting that his next film should feature kids as a focal point. Spielberg’s response was that he was planning on doing a comedy about World War II with lots of pratfalls and explosions. Truffaut’s response: “You are the child.” I’m sure he meant it as a compliment.

But that brings us to 1941, the last Spielberg movie of the Seventies and also the most notorious film Spielberg would ever make – not only because of its huge budget and small returns, but also because of its main star.

And no, I don’t mean Treat Williams. [read more]