Sick of sequels and reboots? Tired of comic book adaptations, franchises and origins stories? Well, here's a bunch of upcoming original films to look forward to.
Spencer review:
Sandringham, Christmas 1991. Bare trees, frosted fields, dead pheasants on the drive. Inside the grand house the dining table has been laid in readiness, but one of the principal guests – arguably the main course – is running late and lost. She grinds her car to a halt, tosses her perfect hair in frustration. “Where the fuck am I?” asks Diana, Princess of Wales.
And so begins this extraordinary film, which bills itself as “a fable from a true tragedy” and spotlights three days in the dissolution of Charles and Di’s marriage. Working off a sharp script by Steven Knight, Chilean director Pablo Larraín spins the headlines and scandals into a full-blown Gothic nightmare, an opulent ice palace of a movie with shades of Rebecca at the edges and a pleasing bat-squeak of absurdity in its portrayal of the royals. Larraín’s approach to the material is rich and intoxicating and altogether magnificent. I won’t call it majestic. That would do this implicitly republican film a disservice.
Jetted in from California, Kristen Stewart proves entirely compelling in the title role. She gives an awkward and mannered performance as Diana, and this is entirely as it should be when one considers that Diana gave an awkward and mannered performance herself, garnishing her inbred posh hauteur with studied coquettish asides. When she broke down, lost her poise, it was like watching a Stepford wife throw a glitch. But Stewart effectively captures the agony of a woman so programmed and insulated that she feels she has no escape and has lost sight of who she is. The servants (well played by Sally Hawkins and Sean Harris) want to help but they are part of the very machine that she hates. They know that if Diana breaks down, the mechanism does too. What matters above all else is to keep the woman up and running. [continue reading at The Guardian]
And last but not least, Turning Red...
Turning Red is an upcoming American computer-animated coming-of-age fantasy comedy film produced by Walt Disney Pictures and Pixar Animation Studios to be distributed by Walt Disney Studios Motion Pictures. It is written and directed by Domee Shi (in her feature directorial debut), produced by Lindsey Collins, and starring Rosalie Chiang and Sandra Oh.
Turning Red is scheduled to be theatrically released in the United States on March 11, 2022.
Set during the 2000s, Mei Lee is a confident thirteen-year-old Chinese-Canadian girl who is torn between staying her mother's dutiful daughter and the chaos of adolescence. And, as if changes to her interests, relationships, and body weren't enough, whenever she gets too excited or stressed, she "poofs" into a giant red panda.
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