Alec Baldwin prop gun shooting: What search warrant reveals - Los Angeles Times

Actor Alec Baldwin was practicing removing a revolver from its holster and aiming toward the camera during rehearsal for the movie “Rust” when director Joel Souza heard “what sounded like a whip and then a loud pop,” according to a search warrant obtained by the Los Angeles Times on Sunday night that also provided grim new details about the final minutes of cinematographer Halyna Hutchins’ life.

In the newly released document Souza said someone identified the weapon as a “cold gun,” meaning it did not have any live rounds. But instead the gun discharged, striking Hutchins in her chest and Souza in his right shoulder, according to a Santa Fe County, N.M., sheriff’s detective’s affidavit used to obtain a search warrant. Hutchins was pronounced dead at an Albuquerque hospital.

Souza’s statement to the detective offered a new window into the on-set shooting Thursday that has left Hollywood reeling and calling for safer working conditions on sets.

The shooting took place after six members of the film’s crew walked off the set after complaining to the production company about payment and housing, camera operator Reid Russell told Det. Joel Cano. The affidavit offered the most detailed chronology yet of an unfolding tragedy.

The day started late because the production hired another camera crew and was working with only one camera, Souza told the detective.

Souza said three people were handling the gun for the scene: armorer Hannah Gutierrez Reed, then assistant director Dave Halls, who handed the gun to Baldwin, the affidavit said.

Halls had taken one of three prop guns set up by Gutierrez Reed on a cart left outside the structure because of COVID-19 restrictions, the affidavit said. Halls did not know live rounds were in the gun when he handed it to Baldwin, and Halls yelled “cold gun,” according to the affidavit.

Souza said cast and crew were preparing the scene before lunch but then had a meal away from the rehearsal area around 12:30 p.m., according to the affidavit. When they returned, Souza said, he wasn’t sure if the gun was checked again, the affidavit said.

“Joel said as far as he knows, no one gets checked for live ammunition on their person prior and after the scenes are being filmed,” the affidavit said. “The only thing checked are the firearms to avoid live ammunition being in them. Joel stated there should never be live rounds whatsoever, near or around the scene.”

When they came back from lunch, a creeping shadow prompted the camera to be moved to a different angle, Russell said in the affidavit. As Baldwin was explaining how he was going to draw his gun and where his arm would be when he pulled the gun from the holster, it discharged, Russell said.

Souza said he was looking over Hutchins’ shoulder when the gun discharged. Hutchins grabbed her midsection, stumbled backward and “was assisted to the ground,” Souza told the detective.

The search warrant said Russell recalled hearing a loud bang, seeing a bloody Souza and hearing Hutchins say she couldn’t feel her legs.

The shooting came after crew members raised concerns about safety conditions on set. Two “Rust” crew members told the L.A. Times that, less than a week earlier, a stunt double had fired two accidental prop gun discharges after being told the gun was “cold.”

Rust Movie Productions said in a statement that the safety of its cast and crew is “the top priority” and it was not aware of official complaints raised about weapon safety and will conduct an internal review. On Sunday, the production company said it would shut down the film’s production during the investigation but did not rule out restarting.

Hutchins’ death follows other accidents that have happened on TV and movie sets. Some in Hollywood and the greater community have called for sets to no longer have operational firearms, especially as muzzle fire could be added through post production. A California state senator has announced plans to propose legislation to ban live ammunition and firearms capable of shooting live ammunition on Hollywood productions in California.

Alec Baldwin 'Rust' shooting: Focus on assistant director - Los Angeles Times

The outrage and disbelief over the death of “Rust” cinematographer Halyna Hutchins, shot by actor and producer Alec Baldwin during rehearsal of a scene Thursday, have many in the Hollywood production community talking about one man at the center of the tragedy: first assistant director Dave Halls.

According to a search warrant filed by the Santa Fe County Sheriff’s Department and obtained by the Associated Press, Halls picked up one of three guns from a mobile cart that had been prepared by the production’s armorer, Hannah Gutierrez Reed. Halls allegedly declared “cold gun,” meaning the weapon was not loaded, as he was handing it to Baldwin.

On a recording of the 911 call placed by script supervisor Mamie Mitchell, she presumably refers to Halls when she can be heard saying, “the f— AD that yelled at me at lunch, asking about revisions.” On the recording, obtained by the Albuquerque Journal, she adds: “He’s supposed to check the guns. He’s responsible for what happens on the set.”

Halls did not respond to The Times’ request for comment.

An industry veteran with credits dating to the early ’90s, Halls has worked on films such as “Bone Tomahawk,” “Balls of Fury,” “A Prairie Home Companion,” “Bad Santa,” “The Matrix Reloaded,” “A Simple Plan” and “Fargo.” In a grim coincidence, he worked as the first assistant director on the second unit of the 2000 movie “The Crow: Salvation,” the sequel to “The Crow,” the film on which Brandon Lee died in an on-set gun accident in 1993.

Halls also was first assistant director and had a small on-screen role on the 2019 film “Darlin’,” for which Hutchins was the cinematographer.

The duties of the first assistant director can include overseeing set safety and keeping the production moving and on schedule.

Filmmaker Aaron B. Koontz, who also knew Hutchins, worked with Halls twice: on the 2020 film “The Pale Door” and the 2017 film “Camera Obscura.”

“Dave is extremely efficient and he’s very good at keeping the pace going and just moving at the speed that you have to move at in order to make your days,” Koontz said Saturday, emphasizing he has no direct knowledge of what happened on the “Rust” set.

“He was a good manager of the day. Which all ADs have to be.”

“Rust” crew members who spoke with The Times said they were mystified how Halls could have handed a loaded gun to Baldwin without thoroughly checking it. The role of the AD has been a subject of debate following the shooting, but some production workers said the protocol on many sets is for the first AD to check the gun for safety.

“You don’t hand an actor a loaded gun,” said one of the “Rust” crew members who was not authorized to speak publicly.

Crew members reported tensions on the set. A half-dozen camera operators and their assistants walked off the Bonanza Creek Ranch movie set earlier in the day. Crew members who spoke with The Times described what they saw as an imperative by producers to keep the 21-day shoot on schedule and on budget. “Every day on that set, it was just go-go-go,” said one of the crew members. “They were in such a rush to get things done.”

There were three actors with guns during the scene being rehearsed when Hutchins was killed.

Following the 2014 death of assistant camera operator Sarah Jones on the set of the film “Midnight Rider,” assistant director Hillary Schwartz was found guilty of manslaughter and criminal trespass and sentenced to 10 years’ probation.

As part of Schwartz’s probation, she also received a $5,000 fine and was restricted from working as a director, assistant director, producer or any department head in charge of crew safety.

Source: Los Angeles Times

Gun Fired By Alec Baldwin Was "Safe" Before Shooting - Court Records

The gun that actor Alec Baldwin fired on set, killing a woman, was handed to him by a director who told him it was safe, court records show.

Assistant director Dave Halls did not know the prop contained live ammunition and indicated it was unloaded by shouting "cold gun!", the records say.

Cinematographer Halyna Hutchins was fatally shot in the chest in Thursday's incident on the set of the film Rust.

Director Joel Souza, who was standing behind her, was wounded.

The 48-year-old received emergency treatment for a shoulder injury and was later released from hospital.

Further details of the police investigation were released on Friday when a search warrant was filed at a court in Santa Fe, New Mexico.

It noted that Baldwin's blood-stained outfit was taken as evidence along with the gun. Ammunition and other prop weapons were also taken from the set by police.

The 63-year-old actor was questioned by law enforcement, but no-one has been charged over the incident.

Earlier on Friday, Baldwin - who was the star and producer of the film - said he was "fully co-operating" with the Santa Fe County Sheriff's Office.

"My heart is broken for her husband, their son, and all who knew and loved Halyna," he wrote on Twitter.

"There are no words to convey my shock and sadness regarding the tragic accident that took the life of Halyna Hutchins, a wife, mother and deeply admired colleague of ours."

Ms Hutchins, 42, was from Ukraine and grew up on a Soviet military base in the Arctic Circle. She studied journalism in Kyiv, and film in Los Angeles, and was named a "rising star" by the American Cinematographer magazine in 2019.

She was the director of photography for the 2020 action film Archenemy, directed by Adam Egypt Mortimer.

According to the Los Angeles Times, about half a dozen members of the camera crew on Rust walked out hours before the tragedy after protesting over working conditions on the set at the Bonanza Creek Ranch near Santa Fe.

The union members had reportedly complained that they were promised hotel rooms in Santa Fe, but once filming of the Western began they were required to drive 50 miles (80km) from Albuquerque every morning.

Meanwhile, the BBC has obtained a document showing which crew members were listed as scheduled to be on set that day.

It names a head armourer, the crew member responsible for checking firearms. Hannah Gutierrez Reed is in her twenties and, according to the LA Times, had recently worked in this role for the first time.

The prop gun that Baldwin fired contained a "live single round", according to an email sent by the International Alliance of Theatrical Stage Employees to its membership, reports Variety.

In Rust, Baldwin was starring as an outlaw whose grandson is sentenced to hang for an accidental murder.

The actor is best known for his role as Jack Donaghy on the NBC sitcom 30 Rock and for his portrayal of Donald Trump on the sketch show Saturday Night Live.

Such incidents on film sets are extremely rare.

Real firearms are often used in filming, and are loaded with blanks - cartridges that create a flash and a bang without discharging a projectile.

In 1993, Brandon Lee - the 28-year-old son of the late martial arts star Bruce Lee - died on set after being accidentally shot with a prop gun while filming a death scene for the film The Crow. The gun mistakenly had a dummy round loaded in it.

What (Not) To Watch: Halloween Kills

Halloween Kills is another rubbish entry in the Halloween franchise. David Gordon Green has somehow managed to outdo himself by making a film that's worse than his previous effort. 

The comedy movie director does not know how to create suspense and is not cut-out to make a horror movie. 

ABOUT HALLOWEEN KILLS:

Halloween Kills is a 2021 American slasher film directed by David Gordon Green and written by Green, Danny McBride, and Scott Teems. The film is a direct sequel to 2018's Halloween and the twelfth installment in the Halloween franchise. The film stars Jamie Lee Curtis and James Jude Courtney, who reprise their roles as Laurie Strode and Michael Myers. Judy Greer, Andi Matichak, and Will Patton also reprise their roles from the previous film, with Anthony Michael Hall and Thomas Mann joining the cast. The film, which begins precisely where the previous film ended, sees Strode and her family continuing to fend off Myers, this time with the help of the Haddonfield community.

Jason Blum serves as a producer on the film through his Blumhouse Productions banner, alongside Malek Akkad and Bill Block. Before the release of the 2018 film, McBride in June 2018 confirmed that he and Green were originally intending to pitch two films that would be shot back-to-back, and then decided against it, waiting to see the reaction to the first film. Following the critical and commercial success of the 2018 film, development on the sequel promptly began as early as October 2018. By February 2019, Teems was hired to co-write the script. The film's title was officially announced in July 2019, along with its sequel. Principal photography commenced in September 2019 in Wilmington, North Carolina.

Following a year delay due to the COVID-19 pandemic, Halloween Kills had its world premiere at the 78th Venice International Film Festival on September 8, 2021, and was theatrically released in the United States on October 15, 2021, by Universal Pictures. It will also stream on paid tiers of Peacock for 60 days. The film has grossed $60.4 million worldwide and received mixed reviews from critics, who praised the creative kills and the performances of the cast, but criticized its screenplay and lack of innovation.

A direct sequel, Halloween Ends, is scheduled to be released on October 14, 2022.

What's it about?

On October 31, 2018, after being stabbed and left to die by Dr. Ranbir Sartain, Deputy Frank Hawkins is found by Cameron Elam. Hawkins awakens and remembers the events of 40 years earlier during the search for Michael Myers following his escape after being shot. In 1978, Hawkins accidentally killed his partner trying to save him from Michael in the Myers house before preventing Michael's original psychiatrist Dr. Sam Loomis from killing his patient outside, resolving to kill him in the present.

Meanwhile, Tommy Doyle is at a local bar celebrating the 40th anniversary of Michael’s arrest and imprisonment, and to commemorate the memory of his victims, along with fellow survivors Marion Chambers, Lindsey Wallace, and Cameron’s father, Lonnie Elam, who briefly encountered Michael in 1978, before toasting Laurie Strode. A group of firefighters respond to Laurie's burning house and unwittingly free Michael who massacres them with their own equipment. Laurie, her daughter Karen, and her granddaughter Allyson arrive at Haddonfield Memorial Hospital where Laurie undergoes emergency surgery. Michael murders Laurie's neighbors Sondra and Phil before making his way deeper into Haddonfield. An emergency newscast of the killings alerts Tommy, Marion, Lindsey, and Lonnie of Michael’s escape before bar patron Vanessa supposedly encounters Michael in the backseat of her car. Tommy and a group of people head outside to confront him as the car drives away and crashes; the driver, whom they falsely believe to be Michael, escapes unnoticed. While Lonnie heads off to pick up Cameron, Tommy forms a mob of vengeful Haddonfield citizens to hunt down and kill Michael before he can kill anyone else.

The police inform Karen and Allyson that Michael escaped and is still alive. Karen decides to withhold the information from Laurie to allow her to recover while Allyson reconciles with Cameron and joins him along with his father and the others to hunt down Michael and avenge her own father’s death. Laurie and Hawkins, now sharing a hospital room, both awaken and reminisce about their former relationship. Lindsey, Marion, Vanessa, and her husband Marcus are ambushed by Michael in the park after warning Haddonfield residents to stay inside; all of them are killed except for Lindsey who escapes and hides. Allyson, Cameron, Tommy, and Lonnie arrive at the scene discovering the bodies of the others on a playground. They find Lindsey traumatized and injured but alive.

While Tommy takes Lindsey to the hospital, Lonnie, Cameron, and Allyson map out the path Michael is taking. Based on where his victims are located, they deduce that he is heading towards his childhood home. Tommy reunites with former Haddonfield sheriff Leigh Brackett, whose daughter Annie was killed by Michael in 1978, and then informs Laurie of Michael’s survival. Across town, Michael murders Big John and Little John, a couple who live in his childhood home, as Laurie prepares to leave the hospital to have her final confrontation with him. The driver of Vanessa's car; Lance Tovoli, who is a fellow patient at Smith's Grove Psychiatric Hospital alongside Michael and escaped when the bus crashed, arrives at the hospital. Tommy and his mob mistake Lance for Michael and pursue him through the hospital. Karen manages to reach Lance and realizes he isn't Michael. Despite Karen's attempts to calm the mob and help Lance, he jumps out of a window to his death. Brackett grows concerned that the mob is turning into monsters from their fear and panic, while Laurie, who was injured during the chase, urges Karen to work with Tommy and hunt down Michael.

Back at the Myers house, Lonnie arms himself and heads in alone until Allyson and Cameron hear gunshots and rush inside to help him. They discover the bodies of Big John, Little John, and Lonnie before being attacked by Michael. In the ensuing fight, Michael breaks Allyson's legs by shoving her down the stairs and brutally beats Cameron before snapping his neck. As Michael prepares to kill Allyson, Karen stabs him in the back with a pitchfork, steals his mask, and taunts him to follow her. Karen lures Michael into the path of Tommy's mob. Michael recovers his mask before being attacked and seemingly killed by the mob. As Karen leaves to reunite with Allyson, Brackett prepares to shoot Michael in the head. Michael recovers and manages to slaughter the entire mob, including Brackett and Tommy. Back at the Myers's house as Allyson receives medical attention, Karen sees a young Michael looking out the bedroom window and investigates. Michael appears and stabs her to death. Laurie stares out of her hospital room window while Michael stares out his window.

The Best Films Of Harry Dean Stanton

Harry Dean Stanton (July 14, 1926 – September 15, 2017) was an American actor, musician, and singer.[1] In a career that spanned more than six decades, Stanton played supporting roles in films including Cool Hand Luke (1967), Kelly's Heroes (1970), Dillinger (1973), The Godfather Part II (1974), Alien (1979), Escape from New York (1981), Christine (1983), Repo Man (1984), One Magic Christmas (1985), Pretty in Pink (1986), The Last Temptation of Christ (1988), Wild at Heart (1990), The Straight Story (1999), The Green Mile (1999), Alpha Dog (2006) and Inland Empire (2006). He had rare lead roles in Wim Wenders' Paris, Texas (1984) and in Lucky (2017), his last film.

In the first half of his career, Stanton made scores of television appearances, mainly westerns, and dozens of films, mostly in brief roles. His face but not his name gained recognition.

That is until he came into more focus in Ridley Scott’s Alien (1979) as a downtrodden engineer on the doomed spaceship. Then, in 1984, greatness was thrust upon him when he was given two of his rare leading roles, in Alex Cox’s Repo Man and Wim Wenders’ Paris, Texas, which were, understandably, his own favourites. A few years later, he was celebrated by Debbie Harryin the 1989 Blondie hit I Want That Man.

Stanton was born in a small town in Kentucky, where his father, Sheridan Harry Stanton, was a tobacco farmer and barber, and his mother, Ersel, a hairdresser and cook. After leaving high school in 1944, he served in the US navy in the second world war, during which he saw action in Okinawa. He then returned to study journalism and radio at the University of Kentucky, where he became seriously interested in acting after playing Alfred Doolittle in a college production of Pygmalion. [Source: The Guardian]

Marlon Brando used to telephone his friend Harry Dean Stanton late at night in the 1970s to chat about acting. “He taught me Shakespearean monologues from The Tempest and Macbeth,” recalled Stanton.

Stanton’s favourite soliloquy was Macbeth’s one about life being “a tale told by an idiot, full of sound and fury, signifying nothing,” which Stanton would recite to friends and strangers and follow by saying: “Great line, eh?”

The meaning of life and death, and whether existence is anything more than a “black void”, is also at the heart of Stanton’s final movie, Lucky, which he completed just six months before he died at the age of 91 on 15 September 2017.

In Lucky, which marks John Carroll Lynch’s directorial debut, he plays a loner called Lucky in a small Californian desert town who is meditating on his past and his own mortality. The character echoes Stanton’s own life, with scriptwriters Logan Sparks and Drago Sumonja drawing on the experiences of one of the most remarkable actors of modern times.

Lucky explains that his name comes from his time in the Second World War when he served aboard USS Landing Ship Tank (LST) 970, as did Stanton himself. “I was in the battle of Okinawa,” the actor recalled. “People who are actors now don’t have that kind of life experience; I saw action on a ship. I was damn lucky I didn’t get blown up or killed.” [Source: The Independent]

Stanton was born in West Irvine, Kentucky, to Sheridan Harry Stanton, a tobacco farmer and barber and Ersel (née Moberly), a cook.[2] His parents divorced when Stanton was in high school; both later remarried.

Stanton had two younger brothers, Archie and Ralph, and a younger half-brother, Stanley McKnight. His family had a musical background. Stanton attended Lafayette High School and the University of Kentucky in Lexington where he performed at the Guignol Theatre under the direction of British theater director Wallace Briggs, and studied journalism and radio arts. 

"I could have been a writer," he told an interviewer for a 2011 documentary, Harry Dean Stanton: Crossing Mulholland, in which he sings and plays the harmonica. "I had to decide if I wanted to be a singer or an actor. I was always singing. I thought if I could be an actor, I could do all of it." Briggs encouraged him to leave the university and become an actor. He studied at the Pasadena Playhouse in Pasadena, California, where his classmates included his friends Tyler MacDuff and Dana Andrews.

During World War II, Stanton served in the United States Navy, including a stint as a cook aboard the USS LST-970, a Landing Ship, Tank, during the Battle of Okinawa.

After Navy service in the Pacific during World War II, he spent three years at the University of Kentucky and appeared in several plays. Determined to make it in Hollywood, he picked tobacco to earn his fare west.

Three years at the Pasadena Playhouse prepared him for television and movies.

For decades, Mr. Stanton lived in a small, dishevelled house overlooking the San Fernando Valley and was a fixture at the West Hollywood landmark Dan Tana’s. He was attacked in his home in 1996 by two robbers who forced their way in, tied him up at gunpoint, beat him, ransacked the house and fled in his Lexus. He was not seriously hurt, and the assailants, who were captured, were sentenced to prison.

Mr. Stanton never married, although he had a long relationship with actress Rebecca De Mornay, nearly 35 years his junior. “She left me for Tom Cruise,” Mr. Stanton said often.

“I might have had two or three [kids] out of marriage,” he once recalled. “But that’s another story.”

Stanton generally gave the impression he’d rather be someplace else, alone. That was one of the things that made him different from most movie actors (let alone, a ‘star’). He was pissed off with the world, unimpressed with himself, and he didn’t care to hide it. It amused him, rather.

Disillusionment carries with it at least the ashes of enchantment, and no matter how tough his bark, or how tightly his thin lips sneered around another smoke, Harry Dean could never entirely extinguish a forlorn smile, the promise of romance buried behind his eyes. He’d give you that blank, flat look, but then he’d pick up a guitar and show you his heart, still breaking.

Is that Harry Dean, or Travis from Paris, Texas? You can’t slip a cigarette paper between them, which is why this seems to me one of the indelible, singular performances in the American cinema, an unvarnished and achingly vulnerable portrait of a dead man walking, lost in the wilderness, little by little coaxed back to life and attempting to restore some of the damage he’s done. Wim Wenders has said the actor doubted himself, that he didn’t know if he was strong enough to carry an entire movie on his shoulders. That fear is crucial to the film, the key to its emotional reach.

Almost always cast as a crook, a codger, an eccentric or a loser, he appeared in more than 200 movies and TV shows in a career dating to the mid-1950s. He had been a cult favorite since the 1970s with roles in “Cockfighter,” “Two-Lane Blacktop” and “Cisco Pike.” His more famous credits included the Oscar-winning epic “The Godfather: Part II” (1974), the sci-fi classic “Alien” (1979) and the teen flick “Pretty in Pink” (1986), in which he played Molly Ringwald’s father.

In his later years he had fruitful collaborations with the director David Lynch, in Wild at Heart (1990), Inland Empire (2006), Twin Peaks (on both TV and the big screen) and an outstanding performance as the brother in The Straight Story (1999). He was also featured in Fear and Loathing in Las Vegas (1998), the following year’s The Green Mile, the comedies Anger Management (2003) and You, Me and Dupree (2006), Nick Cassavetes’ unpleasant Alpha Dog (2007), the offbeat animation Rango and equally bizarre This Must Be the Place (both 2011) and Marvel’s The Avengers (2012). He had a prominent role as Roman Grant in the HBO television series Big Love between 2006 and 2011.

Introducing: Sophie Dalah

 

The star of the brilliantly offbeat new crime-comedy-thriller, Night Drive. 

From weareentertainmentnews.com:

Sophie Dalah loves acting in the thriller-horror genre. Her first job was in Angelina Jolie/Universal Pictures’ UNBROKEN where she portrayed “Virginia Zamperini”, Jack O’Connell’s character’s younger sister.  She is best known for her lead roles in DEAD NIGHT (2017) opposite Daniel Roebuck, Barabara Crampton, and Joy Osmanski and SATANIC (2016) opposite Sarah Hyland, Justin Chon, and Anthony Carrigan. Currently, Dalah can be seen in Brad Baruh & Meghan Leon’s indie feature film NIGHT DRIVE, which is about how a rideshare driver’s life is turned upside down after an unexpected series of misfortunes. The film premiered at Fantastic Fest and Byron Bay Film Festival. We chatted with Sophie about why she loves the horror-thriller genre, her new movie Night Drive and how the quarantine affected her career.

When did you get started in acting?

-I first started acting in high school, I would take dance classes on Saturdays all day. The dance school I went to had an acting class, so one day I decided to take it. My teacher was so inspiring and cool and told us about this book called “The Intent to Live” by Larry Moss. I remember reading it and being so excited. All I wanted to do was finish high school, come to Los Angeles, and attend one of his classes.  

-What is it that appeals to you about the horror-thriller genre? 

Growing up my favorite genre was thriller. I love being confused in a film having that feeling you feel, kind of like a detective, and trying to work it all out.   

-You seem to have several movies that are thrillers.

The thriller/horror life chose me! When I made Satanic, I began to feel comfortable working with these kinds of scripts and I guess that’s what I attracted.  

-Can you tell us more about Night Drive and your character?

While questionable with her morals at times, Charlotte to some extent actually reminds me a lot of myself. She is out here in LA away from her family, trying to make things work. I respect Charlotte a lot. No one can get in her way, and she is unapologetic about it. 

-Night Drive premiered at Fantastic Fest and the Byron Bay Film Festival in October. What an honor! Can you tell us where we can view the film currently?

It was truly an Honor. It’s actually still on the international festival route but we’ll know more in a few weeks!!

-What other upcoming projects are you working on?

I have a few things I’m so excited about but I can’t really talk about the details just yet! Stay tuned!

-How has the quarantine affected your career?

I’ve gotten the chance to cook again! It’s made me think about how I’d love to incorporate cooking into my career. It also taught me a lot about resilience, keeping calm and patient in quieter times all while continuing to work on my craft.  

Fun Facts

-What are some of your favorite hobbies?

Cooking, estate sales, watching movies!

-What other genres of film would you like to try?

I really want to do Comedy 

-Who would you like to work with that you haven’t yet?

Terrence Malick would be a dream!

-Which film star’s style do you love?

Angelina Jolie in the 90s!!!

-What is your favorite fitness tip?

Listen to your body, stay active. 

Thanks for the chat, Sophie. Be sure to catch Sophie in Night Drive. To keep up to date on news about Sophie, follow her on Instagram at @sophiedalah.

What's The Best "Conjuring Universe" Movie?

James Wan's The Conjuring began an extended universe of horror movies that have become some of the biggest box office smash hits the genre has ever seen! But which one is the best?

The Conjuring Universe is an American media franchise and shared universe centred on a series of supernatural horror films. The franchise is produced by New Line Cinema, the Safran Company, and Atomic Monster Productions and distributed by Warner Bros. Pictures. 

The films present a dramatisation of the real-life cases of Ed and Lorraine Warren, paranormal investigators and authors associated with prominent yet controversial cases of haunting. The main series follows their attempts to assist people who find themselves possessed by demonic spirits, while the spin-off films focus on the origins of some of the entities the Warrens have encountered.

The franchise has been commercially successful, having grossed a combined $2.1 billion against a combined budget of $178 million, becoming the second highest-grossing horror franchise. The franchise has predominantly received positive to mixed reviews.

What to watch? The Conjuring Universe

The first instalment of the series (originally entitled The Warren Files, later retitled The Conjuring) centres on the real-life exploits of Ed and Lorraine Warren, a married couple who investigated paranormal events. Patrick Wilson starred alongside Vera Farmiga in the main roles of Ed and Lorraine. The film focused on the Warrens' 1971 case in which they investigated a witch's curse at a farmhouse in Harrisville, Rhode Island. The Conjuring was released on July 19, 2013, to positive reviews. It earned $318 million worldwide against a budget of $20 million, becoming one of the most profitable horror films in history.

What's the best film in The Conjuring Universe?

The Conjuring universe came back in a big way earlier this summer with the release of The Conjuring: The Devil Made Me Do It, which saw Ed and Lorraine Warren face their most terrifying and dangerous case yet.

If you missed it at the cinema, the third movie is out now to buy or rent to watch in the comfort of your own home. It will also be arriving on Sky Cinema and NOW just in time for Halloween on October 29.

As with the other main Conjuring movies, The Devil Made Me Do It brought back Patrick Wilson and Vera Farmiga as the demonologist duo to explore another real-life case that the Warrens were involved in.

We don't yet know if there will a fourth Conjuring movie, but that doesn't mean there aren't plenty of spooky delights to catch up on in the series. Since the first movie was released in 2013, the series has expanded with a spin-off trilogy for cursed doll Annabelle, as well as The Nun and The Curse of La Llorona.

Watching the series in chronological order might not be as easy as you think though, so if The Conjuring: The Devil Made Me Do It has got you hankering for a series rewatch, we're here to help. [Source: Digital Spy]

Top 10 Films has ranked all 8 films here. 

What To Watch On Netflix: His House

What to watch on Netflix: His House

What To Watch On Netflix: No One Gets Out Alive

What To Watch On Netflix: No One Gets Out Alive

From Wikipedia:

Ambar, an undocumented Mexican immigrant, moves to Cleveland after the death of her mother. She used to take care of her ailing mother and could never live a normal life, as her mother continuously became sick until she relocated to the United States to support her. She finds a dilapidated boarding house run by Red, who demands the first months rent up front, which Ambar gives from a reserve of cash she seems to have saved up for her move. Odd things start happening to her at the new boarding house and out of it. She gives a co-worker the remainder of her savings to obtain a fake ID that will allow her to continue working at her job. The co-worker betrays her, taking the money and quitting the next day.

Unable to receive help from Beto, a distant cousin, and not wanting to return to the house after the visions, Ambar is forced to call Red. They meet at a nearby cafe and Red promises to refund her deposit, but only if she returns to the house, as he claims he does not have enough cash on him. When they return to the boarding house, Ambar confronts Red as the cash is not in her room as promised. Becker, Red's brother, forces Ambar into her room, and she locks herself inside. She is joined in the room by two other Romanian women who are living in the boarding house.

As Red and his brother, Becker, are planning to take the women down to the basement, Beto comes looking for her, but is killed by Becker. Becker commands Red to "prepare" her and the other girls. Red tells her that his dad was an archeologist who brought back a stone box from one of his trips. Something about the box inspired Red's father, along with his mother, Mary, to trap and murder women (the ghosts that Ambar has seen throughout the house). When Red and Becker arrived home after a while, they saw what their father had done. Red wanted to leave, but Becker wanted to stay. Something about sacrificing women to the box improved Becker's health. 

Ambar struggles against Becker as he takes her down the basement. Becker ties Ambar to a stone table in front of an altar where the box sits. After tying her up, Becker opens the box and leaves the room, shutting the door behind him. Ambar begins dreaming about her mother on her deathbed, while a creature slowly emerges from the box and attempts to eat Ambar's head. Ambar is able to wake herself up by killing her mother in the dream, and, by doing so, causes the monster, which seems to be the Aztec goddess Ītzpāpālōtl, associated with the moth seen in the movie, the Rothschildia erycina, to retreat back into the box. 

Ambar hears Becker and Red preparing one of the other immigrant women for sacrifice. She grabs an ancient weapon from the study and goes upstairs. She injures Red and is attacked by Becker. The other immigrant woman tries to help but is killed by him. Amber then kills Becker with the ancient weapon. She hears Red shuffling around in the next room and manages to get him downstairs and tied onto the stone table, where the monster bites off his head, killing him. As she is leaving the house she realizes she has nothing left but is suddenly healed from sacrificing Red to the monster in the box. In the background, Red can be seen as a ghost.