For years, cinema treated the road as a place of fun and adventure. There was cheerful competition in The Great Race (1965), family frolics in Chitty Chitty Bang Bang (1968), and magic in The Love Bug (1969). Meanwhile, Cliff Richard was off on his “Summer Holiday” in a converted London bus in Peter Yates’ musical from 1963.
Alfred Hitchcock had hinted at its dangers when Janet Leigh chose the wrong motel to stop at in Psycho but the road really began to grow fangs after audiences saw the bullet-riddled car of Bonnie and Clyde in 1967. It was the turn of the American New Wave and the road was looking decidedly different.
Examples:
Jeeper Creepers
Dir. Salva (2001)
Victor Salva’s malevolent road user The Creeper and “its” unrelenting pursuit of siblings Trish (Gina Philips) and Darry (Justin Long) across the Floridian countryside is pulsating entertainment of the horrific kind. Part Duel, part The Hitcher, part Christine, Jeepers Creepers unapologetically wallows in the tropes that its writer-director has clearly loved as a fan-turned-filmmaker.
There’s nothing wrong with this. Audiences well-versed in the conventions of the “monster movie” will enjoy Salva’s obvious earnestness to roll out the red carpet for them; the joy of watching in the expectation of jolts to the senses. Jeepers Creepers certainly fulfils that demand, helped by Salva’s clever horror beats that often elongate the tension before the payoff.
Dead End
Dir. Andrea/Canepa (2003)
The road gets a distinctly paranormal feel in this horror about a family seemingly trapped on the same stretch of highway. After Dad, Frank Harrington (Ray Wise) narrowly misses a head on collision things begin to go bump in the night as a series of strange occurrences befall him and his passengers.
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